This article is about the 1974 film. What confuses the couple is that David has had a the stranger online pdf, and Ann is not supposed to be pregnant.
Even though David suspects that Ann has been unfaithful to him, he stays with her. Because Ann had pregnancy troubles in the past that put her health at risk, David wants Ann to get an abortion, but every time the two try to go to get the procedure done, Ann experiences extreme labor pains and is unable to go through with the procedure. Throughout the course of her pregnancy, Ann has strange cravings for black coffee, raw meat and massive amounts of salt. She also exhibits personality and physical changes, including wanting to read books constantly, enduring freezing temperatures, developing acutely sensitive hearing, taking long and strenuous walks in the mountains, an inability to listen to other people, and healing her injuries within minutes. Ann is acting so strangely. Ann does not say a word, even when she is hypnotized.
She quickly drinks boiling hot coffee to catch her breath, and David notices that the coffee makes her drunk. Bob tries hypnotizing Ann again, and an extraterrestrial being starts speaking through her. He says that Ann was impregnated while she was painting in the mountains. After the alien stops talking through Ann, she finally falls asleep. During the night, Ann sneaks out to an abandoned house in the woods, where she gives birth.
She walks into the woods, where many other women are also walking with their alien babies. David looks at one of Ann’s paintings, depicting the alien being’s home planet. The painting starts to smoke. David looks out the window and screams Ann’s name, as he watches a spacecraft take Ann to the alien’s home planet. This page was last edited on 12 November 2016, at 01:51. Departing from her earlier themes of lesbian and gay fiction, Waters’ fifth novel features a male narrator, a country doctor who makes friends with an old gentry family of declining fortunes who own a very old estate that is crumbling around them. The stress of reconciling the state of their finances with the familial responsibility of keeping the estate coincides with perplexing events which may or may not be of supernatural origin, culminating in tragedy.
Waters stated that she did not set out to write a ghost story, but began her writing with an exploration of the rise of socialism in the United Kingdom and how the fading gentry dealt with losing their legacies. The novel was mostly well received by critics as Waters’ strengths are exhibited in setting of mood and pacing of the story. She began writing in her early 30s while completing a dissertation in English literature about gay and lesbian fiction from the 1870s onward. Waters often labels them as “Victorian lesbo romps”.
Why, oh why, did I ever allow the phrase ‘lesbo Victorian romp’ to cross my lips? Waters diverted from overt lesbian themes, but incorporated other elements from previous books. WWII Britain with characters who are somewhat at a loss with what to do following the upheaval of war. I didn’t set out to write a haunted house novel.
I wanted to write about what happened to class in that post-war setting. It was a time of turmoil in exciting ways. Working class people had come out of the war with higher expectations. They had voted in the Labour government. So it was a culture in a state of change.